Bio/Statement

Patrizia Ferreira received a bachelor degree in textile design from the Institute of Industrial Design in Montevideo, Uruguay and a Master of Science degree in textile design for prints from Philadelphia University (now Thomas Jefferson University). She is an artist and educator working in Raleigh, North Carolina

about.

As a fiber artist, my practice is rooted in the concept of scavenging, then salvaging fabric remnants, heirloom fabrics, abandoned, discarded materials and objects, and reassembling them in an ongoing cycle of deconstruction / construction.

I am a native of Uruguay, and as an immigrant adaptation is constant, as is the exercise of comparing economies, privileges, struggles, haves and have nots. This has led me to the study of three big themes that I feel are interconnected with each other, migration, the effects of climate change and the meaning of borders.

The employment of discarded materials, broken or otherwise neglected objects, plastic, textile, and marine debris, all in their cracked, worn-out form speak to me of the dispossessed, the outsider, the misfit. The language of junk is also a metaphor not only to what we leave behind, deemed unwanted, but also for people who are devalued, the often-invisible immigrant or the undocumented. Salvaging these random objects and materials becomes an allegory for redeeming the socially disenfranchised and a testimony to the cruelty of capricious and repressive socio-economic powers. This reconstructing effort is also a direct response to our society of consumerism and convenience that glorifies the concept of “new”. The selected, random objects, castoffs of our industrialized society, are reassembled to create objects that weave stories, that speak of the user, referencing and reverencing domesticity, our shared humanity, embracing the value of ritual and identity and honoring our capacity to make something beautiful out of the dirt and rubble.

Emulating nature, in the way a crack will be filled slowly and tediously by moss, pieces appear precarious and vulnerable, yet intricately and laboriously assembled, paying homage to the careful, loving constructions created by people in refugee camps, and impoverished areas around the world. The many threads, yarns and ropes employed to connect its many parts, a symbol to the interconnectedness of natural systems, human and otherwise.

In deepening my understanding of environmental stewardship, and climate change a goal is to spend part of my time in residence researching the subject of coastal conservation, and marine protection by reaching out to professionals who study these subjects to establish partnerships and create pieces that respond to concrete issues. My goal is to educate and inspire the community through my work.

Workshops

Summer 2025

Sertoma Arts Center

Bundle Dyeing + Intuitive Embroidery

Using the technique of bundle dyeing we will use natural materials such as, petals, leaves, fruit and vegetable peels to generate unique patterns on fabric. At a later stage we will discover paths, and shapes on our fabrics like children looking for recognizable shapes in the sky. Our stitches will help outline shapes, create dimensional marks, and further enhance our pieces.

Tuesday July 8, 15 and 22. From 9:30am – 11:30am

Multicolor Shibori

Wednesdays July 30 and August 6. From 9:30am – 11:30am

Introduction to Indigo Shibori

Wednesday August 13. From 9:30 – 1pm

Pullen Arts Center

Mending and Beautifying our Gently Used Garments

Embracing the art of slow making and borrowing from ancestral stitching techniques such as Japanese boro, sashiko, and Indian kantha we will work with our hands to lovingly patch and beautify our gently worn garments. Bring one or two items to beautify to class or simply scraps of fabric to create beautiful patches to apply at a later time.

Tuesday August 5 - 26 From 6:30 – 8:30

Fall Proposals:

Sertoma Arts Center

Meditational Stitching

New to embroidery? Savvy embroiderer, looking for a new approach? This class is for you! In this workshop students will learn techniques for free-styling with stitches on fabric. I will share with you an intuitive way to start a textile art piece from scratch. How I combine fabrics, colors, textures and specific stitches. How I go about developing a composition and letting serendipity lead the way.

Tuesdays September 2 - 23

Abstract Watercolor Compositions

Discover the beauty of layering translucent layers of color, playing with the movement of water, generating surprising shapes, textural effects, soft veils that hide and reveal simultaneously. This is a class for anyone seeking to find their inner artist. Perhaps for a savvy artist, needing to create for arts sake too. No prior experience necessary, just a desire to experiment.

Thursdays September 4, 11, 18, 25 and October 2

Recreating Nature with Embroidery

Learn traditional embroidery techniques while learning to paint with your thread. We will take advantage of the beautiful natural setting at Sertoma and use it as inspiration to create embroideries that reflect the lushness of our surroundings.

Each student will develop a unique landscape. Templates will be available too.

Monday October 6 - October 27

Pullen Arts Center

Stitch Resist (Nui) Shibori

In this technique students learn many different stitch techniques that are used to create patterns on fabric. It is a slow making technique but a very rewarding one. With this method students can create any pattern they want. Total freedom of expression. Just a love of stich is necessary. No prior experience needed.

Wednesday September 17 and 24

Embroidered Wonderlands

Thursdays October 9 - 30

Painting Portraits with Thread (4 weeks)

Learn to paint portraits entirely out of thread. Students will learn basic embroidery and stitching techniques, learn to transfer images from photo or sketch to fabric and learn to transfer colors with stitches versus brush strokes. This is an artistic embroidery class, where students are encouraged to explore and experiment.

Tuesday October 7 – October 28

NCSU - Craft Center

Expressionist Portraits with Thread and Yarn

Using thread like paint students will learn traditional and untraditional stitching and embroidery techniques to create expressive portraits in unusual colors and textures. This is an incredible class for students interested in expanding their embroidery skills or even for painters interested in exploring the use of thread and dimensionality.

Tuesdays in November (morning or evening)

Precarious Habitats

Precarious Habitats explores the multi-fold meanings of thresholds, borders, and fences both natural and man-made, the liminal space that exists between them, as well as implying divisions between, the rich and the poor, developed and underdeveloped, the rich north and the global south, and many others. Rooted in the ancestral practice of scavenging and salvaging, combining a hard heavy object, next to a light, supple piece of fabric, tying it, stitching it, using ropes and nets to wrap it together, imbuing the pieces with a sense of fragility. Pieces also appear like real life-size constructions that suggest walls and separations, barriers or shelters. In other pieces a tattered rug, has giant cut outs, making it appear like the hide of a giant animal, but its fleshy tone suggests it maybe human skin. Materials are assembled in the way of articulated hides, or skeins, hanging them with open wounds that reflect the ghost of the wearer or its inhabitant. Ropes and nets are created out of repurposed plastic and fabric to connect the many parts of a piece, to keep it together from falling apart. The wrapping effort a metaphor to what human intervention does in nature, nets are placed in coastal areas to protect them from further erosion. Is it to protect? Or is it to trap? The nets and ropes suggesting the immanent presence of water, its colossal force, the silence of its presence forever within us. We are 70% water too after all and it is from water we come into this world.

Pieces are all created painstakingly by hand. The mark left by the hand as a form of footprint that evokes links to the past, that speaks of our resilience and resourcefulness. The chosen methods for making, using hand stitching, hand wrapping, rope making, knotting; all these hand crafts being inevitably slow, tedious and inefficient; maybe seen as a form of resistance to the values imposed by our current modern society, always pushing us to perform more, faster and more efficiently.

In Search of the Lost Paradise

Smaller Works

projects.